Based on oral history of the Anishinaabeg, this piece draws its name from Ojibwe historian Basil Johnston, who offered the literal translation of the name as “Spontaneous Beings.” Based on authentic folk music and steeped in tradition, the piece relies heavily on traditional percussion instruments (with optional substitutes suggested). Very approachable, yet extremely powerful.
In a world of sorcerers, magic, elven warriors, and fantastical creatures, anything is possible. This musical adventure continues the story from Thomas's popular Land of Dragons. In this chapter, a lively band of warriors join the quest. The music includes fierce rhythmic interplay, syncopation, and soaring melodies. A solo ocarina (optional violin or flute) and a lively percussion section add to the cinema-style orchestration. An entrancing addition to your concert program! (3:30)
Queenslanders will likely appreciate this fresh and cheerful "winter" piece from Florida, sure to bring some cheer to your audience. Optional percussion parts pair with tuneful melodies to give this work a unique charm that is both engaging and challenging. A perfect addition to your winter concert! (2:00)
Experience the beauty and power of a Celtic sunrise in this accessible, yet powerful sounding work. Driving rhythms and decisive open intervals depict the countryside and rolling hills of Scotland. Optional percussion parts add to the festive quality of the piece. Get ready to experience a massive sound with your young orchestra! (Grade 1.5, Dur 2:00)
Feature a guest artist or star student in this piece that includes an advanced level violin solo along with a more approachable solo for the younger, yet ambitious student. Well within the technical grasp of young orchestras, the music is designed to allow the soloist to display both technique and lyricism as the piece moves through a series of "diversions" held together by a common theme. Inspiring for your students and your audience! (4:30)
