Based on oral history of the Anishinaabeg, this piece draws its name from Ojibwe historian Basil Johnston, who offered the literal translation of the name as “Spontaneous Beings.” Based on authentic folk music and steeped in tradition, the piece relies heavily on traditional percussion instruments (with optional substitutes suggested). Very approachable, yet extremely powerful.
Inspired by an incredible display of stars the composer experienced in Hawaii, this piece portrays the ponderous and expansive beauty of the night sky. Broad, sustained notes make extensive use of full bows, ideal for reinforcing bow control and purity of tone. A stunning work with gorgeous harmonies and colors sure to charm your audience. (3:45)
Written for the true beginner, this piece takes the listener on an eerie tour that can best be described as an unsettling experience with a touch of curiosity and anxiousness. 3-part fully adaptable with piano or guitar accompaniment. (Grade 0.5, Dur 2:00)
Experience the beauty and power of a Celtic sunrise in this accessible, yet powerful sounding work. Driving rhythms and decisive open intervals depict the countryside and rolling hills of Scotland. Optional percussion parts add to the festive quality of the piece. Get ready to experience a massive sound with your young orchestra! (Grade 1.5, Dur 2:00)
Queenslanders will likely appreciate this fresh and cheerful "winter" piece from Florida, sure to bring some cheer to your audience. Optional percussion parts pair with tuneful melodies to give this work a unique charm that is both engaging and challenging. A perfect addition to your winter concert! (2:00)