Based on oral history of the Anishinaabeg, this piece draws its name from Ojibwe historian Basil Johnston, who offered the literal translation of the name as “Spontaneous Beings.” Based on authentic folk music and steeped in tradition, the piece relies heavily on traditional percussion instruments (with optional substitutes suggested). Very approachable, yet extremely powerful.
This brilliant march in grand concert style works beautifully for strings! A powerful melodic line combines with strong rhythms and moving harmonic shifts as the piece unfolds. After a wonderful exchange of the opening themes, the piece moves into an energetic coda with a riveting ending. A perfect performance piece at concert or festival as well as an ideal change of pace for any program! (2:00)
In a world of sorcerers, magic, elven warriors, and fantastical creatures, anything is possible. This musical adventure continues the story from Thomas's popular Land of Dragons. In this chapter, a lively band of warriors join the quest. The music includes fierce rhythmic interplay, syncopation, and soaring melodies. A solo ocarina (optional violin or flute) and a lively percussion section add to the cinema-style orchestration. An entrancing addition to your concert program! (3:30)