
Bach, Brandenburg Concerto No. 3 in G Major BWV1048 for String Orchestra - Double Bass Part...
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
Moshpit Sabbath! is the ultimate face-melting, string-breaking smash-fest, forever proving that strings rock! Inspired by the great metal bands of the 80s and 90s, Chris Thomas has written a piece for strings and drums that features shredding riffs, epic chugs, metal licks, whammy bar wails, screaming glissandi, and wild electric guitar duets---all for string orchestra! Optional electric violin soloists add even more intensity, though they can easily be amplified on acoustic instruments at a microphone if needed! Feature an awesome drummer or use the incredible pre-recorded track to bring the piece to life. Unlike anything out there, this is the closer of all closers! (4:00)
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
Brandenburg Concerto No. 3 in G Major, BWV 1048 – Viola II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, is a modern scholarly edition of one of Bach's greatest orchestral works. Featuring the Viola II part and Emil Platen's practical solution for the concerto's famous two-chord middle section, it is an outstanding resource for educational and professional performance.
Key Features:
• Published by Breitkopf & Härtel
• Music by Johann Sebastian Bach
• Viola II part for Brandenburg Concerto No. 3, BWV 1048
• Modern scholarly performance edition
• Includes Emil Platen's stylistic expansion
• Develops ensemble playing, rhythm, articulation, and intonation
• Suitable for advanced students and orchestral musicians
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin III Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging orchestral role within one of Bach’s most innovative and energetic concertos.
Key features
• A fully engaged orchestral voice, not a secondary part
• Central to the concerto’s rhythmic drive and texture
• Develops ensemble precision and contrapuntal awareness
• Essential experience in Bach’s most democratic orchestral writing
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.