Thumb Position Repertoire - Intermediate Pieces for Cello and Piano

The Feuillard Technique for the Cello Vol. 4 (Delrieu) is part of Louis R. Feuillard’s respected eight-volume technical series. With progressively organised studies, this volume builds accuracy, coordination, bow control, and left-hand facility while preparing advancing cellists for increasingly demanding repertoire.

Key Features:

• Author/Pedagogue: Louis R. Feuillard

• Title: Technique for the Cello, Vol. 4

• Instrument: Cello

• Publisher: Éditions Delrieu

• Part of an eight-volume progressive series

• Develops accuracy, coordination, and technical fluency

• Strengthens left-hand and bowing technique

• Ideal for advancing students and regular practice

This book is a comprehensive guide for intermediate-level students to develop excellent left and right-hand techniques. It includes three sections covering technique, tone, tuning, major and minor keys, etudes, and bowing style. The book offers a variety of enjoyable repertoire and exercises, such as scales, chorales, and classical pieces, to keep students engaged and motivated. Its primary goal is to help students establish a strong foundation in technique, resulting in excellent musical performances and opening up a vast literature world. Whether you teach in a classroom or a private studio, this book is an ideal resource to enhance your students' skills.

(PLEASE SELECT AN INSTRUMENT BELOW FOR YOUR DESIRED INSTRUMENT BOOK)

Lucio Amanti, an Italian cellist, combines classical and jazz music. His 'Jazz Suite' for cello solo fuses Bach's suites with modern jazz. He's created a series of études with pop, jazz, and improvisation influences. The études explore styles, from jazz ballads to samba rhythms and funk. Amanti's innovative approach is sure to captivate music enthusiasts.

Dotzauer was a skilled musician who composed operas, symphonies, overtures, mass, concertos, and chamber music. However, his educational compositions have proved to be of lasting value. At the end of the 19th century, there was an idea to compile and publish a selection of his educational life work that met the demands of the time. Several publications of this kind were made, but the work by Johannes Klingenberg has turned out to be the most successful.

Superstudies Cello Book 1 is a collection of 16 original studies for young cello players from grades 1-3. The book perfectly balances technical and musical development, covering diverse keys, modes, rhythms, and styles, including jazz. The descriptive titles help players express themselves appropriately for each study. It is enjoyable and stimulating for teachers and pupils alike.

Rick Mooney's latest book uses double stops to provide excellent learning material for young and advancing cellists. With over 60 familiar folk songs, many of which are in the Suzuki repertoire, this book helps students develop skills such as hearing intonation, shaping the hand correctly, shifting, extensions, and preparing for future repertoire.

This collection offers fourteen original and imaginative pieces for solo cello players. It is designed to take players from an elementary level to the more advanced material of Dotzauer and Popper. Each piece focuses on one or two aspects of cello technique, covering many skills, including spiccato bowing, string crossing, moto perpetuo, cantabile, and easy double stopping. Teachers and students will find this collection both enjoyable and stimulating.

Paul Bazelaire (1886-1958) was a French pianist and cellist who trained at the Paris Conservatoire. He was an experienced teacher and authored several publications. Bazelaire's Études transcendentales were virtuosic adaptations of Kummer's mid-nineteenth-century studies and reflected the advancements in cello technique during his time. Throughout his career, he composed over a hundred pieces, including some for solo piano.