This book series is intended for advanced violin students to improve their technique in both right- and left-hand positions. Part 2 comprises exercises ranging from the 2nd to 7th positions.
This book series is a comprehensive resource designed to help advanced violin students enhance their technical proficiency. The exercises contained in Part 2 are specifically created to refine skills in both left- and right-hand positions. With a focus on the 2nd through 7th positions, this volume provides a challenging and rewarding learning experience for aspiring violinists looking to take their craft to the next level.
Otakar Sevcik's "School of Bowing Technique" offers technical exercises for violinists of all levels, from beginners to advanced players. Book 6 focuses on arpeggios on all four strings and includes helpful commentary.
Ševčík’s complete works cover all aspects of violin technique, from elementary to advanced levels, including specific exercises for technical problems and analytical studies of standard violin concertos. His “Preparatory Trill Studies” cover finger placement, pressure on the strings, and fingerboard action. This edition is based on the original print with other sources found in Ševcík’s posthumous papers. The editor, Jaroslav Foltýn, is a violin professor at Prague Conservatory.
• Fundamental pedagogical work by a leading violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
• Moderate to advanced level of difficulty
Otakar Sevcik was a famous violin teacher who developed effective technical exercises for players at all levels. His "School of Bowing Technique" focuses on right-hand precision, rhythmic accuracy, wrist speed, and strength. Book 4 covers arpeggios on two strings, and this Bosworth Edition has helpful commentary.
Otakar Sevick was an esteemed musician and violin teacher from the Czech Republic. He authored numerous crucial studies, methods, and teaching aids. One of his works is a collection of 40 studies focusing on the right-hand technique. These exercises cover a range of areas such as string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more. Even after a century, these resources remain valuable for aspiring violinists.
Sevcik, 40 Variations Op. 3 Unaccompanied (Barenreiter), perhaps his best-known composition, is a favourite with violin students
Ševcík’s “Violin School” is a timeless guide that covers all aspects of violin technique, including basic exercises, specific techniques, and detailed analyses of standard concertos. The new edition of Ševcík’s “School of Violin Technique” op. 1 consists of four books and includes other sources from Ševcík’s posthumous papers. Jaroslav Foltýn, a violin professor at the Prague Conservatory, provides the methodological commentary.
• There are new editions of a violin method that generations of violinists have used available.
• The seminal work of a renowned violin educator.
• Each book includes an editorial commentary with a methodology in Czech, English, and German languages by the editor.
• Bärenreiter has recently released a new series of publications featuring Ševcík’s major works.
This book series is perfect for beginner violin students. It improves left and right-hand techniques with exercises and melodies. Part 4 focuses on B-Flat, E-Flat and A-Flat major scales, chromatic scale, G and C minor scales and changing keys.
Otakar Sevcik was a renowned violin instructor who developed technical exercises for violinists. This volume focuses on changing positions and preparatory studies for three-octave scales. The exercises provide a musical framework for each shift, making them more effective. This Bosworth Edition includes helpful commentary.
Otakar Sevick was a famous Czech musician and violin teacher. He authored many relevant works, including a collection of 40 studies focusing on right-hand techniques. His violin teaching methods are practical and effective even after a century. The studies include exercises for string-crossing, arpeggios, triplets, bowing style changes, staccato, legato, and more.
