Heart in The Highlands is a musical masterpiece that draws inspiration from the works of the famous Scottish poet Robert Burns. The piece is a vivid representation of the rugged yet mesmerizing Scottish highlands, with its craggy mountains and lush greenery. Through the use of heart-throbbing pizzicato, mysterious harmonics, strong dotted rhythms, and bagpipe-like drones, the piece creates a captivating soundscape that transports the audience to the stunning landscape of Scotland. The music is sure to leave a lasting impression on both the ensemble and the listeners with its powerful and evocative melodies.
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Intense and emotional, the music evokes feelings of desperation, anxiety, and frenzy. The dark tones of G minor and rapid rhythm create a menacing atmosphere. The hammering rhythm eventually overtakes a noble melody played by the cellos.
Two great pieces for young players! "Guitar Lullaby" is based on a familiar melody with a wide range. Hold the instrument like a guitar. "Chit Chat" is a catchy call and response piece with syncopated rhythms.
The Midnight Serenade starts with faint calls of the night. The haunting melody is shared throughout the piece over a waltz-like accompaniment. Dark Train is a dynamic composition based on a simple three-note ostinato, with whistle effects that excite younger players.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.