Giovanni Battista Zanoli, with his label 'Joannes Baptista' Zanoli. The cello was made in Verona, Northern Italy, in 1747.
John Baptist Zanoli, born in the first half of the 18th century, was a skilled violin maker in Verona, Italy. Alongside his son Giacomo, he was one of the few violin makers in Verona during that time. Despite the lack of a strong violin-making tradition in Verona, John Baptist Zanoli and his son Giacomo managed to make a name for themselves with their high-quality and distinctive instruments.
Verona had its share of German lute makers during the 16th and 17th centuries, and it is believed that the Zanoli family's violin-making skills were cultivated from this foundation of German luthiers. John Baptist Zanoli's violins were known for their German model, featuring squared arching and the use of walnut for the internal linings of the ribs, a mannerism usually associated with Tyrolean makers. While Verona may not have been a prominent hub for violin making, the work of John Baptist Zanoli and his son Giacomo serves as a reminder of the city's contribution to the rich history of violin making in Italy
This Antique French violin was made by the famous luthier Jean Baptiste Colin at Mirecourt, Paris, in 1903, a superb example of a quality French instrument.
French Copy of Montagnana Cello made around 1900. Domenico Montagnana is a Venice-based Italian luthier who was regarded as one of the most excellent violins and cello makers of his time.
Stoehr cello - to be set up. The price includes setting up that includes a Bavarian spruce sound post, the highest quality French bridge, ca $600 worth of strings, and a German Carbon Tailpiece.
• Use of matured, high-quality tonewoods
• Beautifully flamed Bosnian maple for the back, rib and neck
• Slow, evenly-grown mountain spruce is used for the top.
• Use Traditional Guild knowledge with modern technology to achieve a tonal optimum.
• Varnish is personally produced, following traditional recipes using only select resins.
• With loving care, each cello, such as this one, is given a special touch.
• Customers repeatedly praised him for the instrument’s light response and strong, full tone paired with the instrument’s inner melodiousness.
This Jay Haide cello “Vuillaume model” is made of top-notch European timbers.
Made of European timbers
Animato Strings Set up includes the following:
• Highest-grade “Despiau” French bridge
• Bavarian Spruce soundpost
• Best European Strings.
European Strings:
• A and D Strings: Il Canone (warm) by Larsen
• G and C Strings: Tungsten wound Spirocore strings
German Cello by Helmut Illner - Goffriller Model. According to the label, it was made in 2004, just before Helmut Illner's retirement. This cello is handmade and hand-varnished with a balm mixture of red-brown. It is one of the high-level instruments made by Illner.
• Use of matured, high-quality tonewoods
• Beautifully flamed Bosnian maple for the back, rib and neck
• Slow, evenly-grown mountain spruce is used for the top.
• Use Traditional Guild knowledge and modern technology to achieve a tonal optimum.
• Varnish is personally produced, following traditional recipes using only select resins.
• With loving expert care, each cello, such as this one, is given a special touch.
• Customers repeatedly praised him for the instrument’s light response and strong, full tone paired with the instrument’s inner melodiousness.
Recently SOLD Thomas Stoehr Master cello - to be set up. The price includes setting up that includes a Bavarian spruce sound post, the highest quality French bridge, ca $600 worth of strings, and a German Carbon Tailpiece.
• Use of matured, high-quality tonewoods
• Beautifully flamed Bosnian maple for the back, rib and neck
• Slow, evenly-grown mountain spruce is used for the top.
• Use Traditional Guild knowledge with modern technology to achieve a tonal optimum.
• Varnish is personally produced, following traditional recipes using only select resins.
• With loving care, each cello, such as this one, is given a special touch.
• Customers repeatedly praised him for the instrument’s light response and strong, full tone paired with the instrument’s inner melodiousness.
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