This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

Mamba Samba is a fun and unique piece for string ensembles. It offers swing without technical difficulty, accommodates different skill levels, has optional parts for violin and viola, and includes lyrics. A MIDI backing track is also available.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This piece is upbeat and features two contrasting themes - a rhythmic fiddling-style section and a warm Celtic air. It's engaging and encourages cohesive energy in the ensemble with clever bow techniques and fun challenges like rapid string crossings and syncopation.

Keith Sharp is a string educator in Brisbane, Australia, where he teaches and has produced award-winning string programs and ensembles. He is also a composer whose works are famous in Australia and internationally. Keith is an active clinician, guest conductor, and lecturer.

A Celtic Gathering For String Orchestra (Grade 3) by Keith Sharp captures the essence of Celtic music with its traditional rhythms, haunting melodies, and catchy tunes. The piece is skillfully arranged for young performers and showcases their virtuosity using technical elements. It will surely delight audiences of all ages and challenge young performers to improve their skills.

"March Triumphant" in G major is a majestic piece suitable for special occasions. Its stirring rhythmic motifs provide satisfying melodies for all instrumentalists. Rehearse ensemble tone, dynamic contrasts, and rhythmic precision for uniformity. Confirm G major finger patterns within the ensemble.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

It is a catchy tune that blends Eastern harmonies with Western rhythms. It features fiddling, alternating time signatures, and pentatonic patterns. Each part takes turns playing one of the main themes, providing various musical experiences. The violins have the option to play in ottava and third position. It is ideal for students to play and enjoy.

Keith Sharp is a music teacher who earned his Bachelor's degree in Music in 1984. He has been teaching as a string educator in Brisbane, Australia, for over 30 years. Keith completed a post-graduate diploma in education in 1995 and is active as a clinician, guest conductor, and guest lecturer. He has won awards for his string programs and compositions, which are popular worldwide.