Based on its label, this French trade violin is from Jean-Baptiste Vuillaume (7 October 1798 – 19 March 1875) a French luthier, born in Mirecourt, France. His father and grandfather were both luthiers which explains his interest in violins and other stringed instruments. He later joined various workshops when he moved to Paris in 1818. One in particular is the workshop of Simon Lete, the son-in-law of François-Louis Pique at Rue Pavée St. Sauveur. Their partnership led them to settle in Rue Croix-des-Petits-Champs in 1825 under the name of "Lété et Vuillaume."However, his first labels are dated 1823.
He became a great inventor and winner of various awards such as a silver medal at the Paris Universal Exhibition in 1827. He started his own business at 46 Rue Croix des Petits-Champs became the most important workshop in Paris, creating over 3000 instruments.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
Charles Collin-Mezin was born in Mirecourt, France, in 1841. He came from a family of luthiers and was skilled in crafting violins, violas, cellos, basses, and bows.
This is a Henri Farny violin made around 1910 and imported from Mirecourt, France to the USA with a label. Henri Farni’s works were mostly imported by Rembert Wurlitzer from Mirecourt, France to Cincinnati and New York USA.
This is a Mirecourt Violin made around the 1930s with the label of a French luthier named L'Humbert. Emile L'Humbert is a French luthier who settled in rue de Passy in Paris in 1906 and began to make beautiful instruments until 1920 for Parisian luthiers.
This is a French Amati Violin Model made in Mirecourt around 1925. Nicola Amati is an Italian master luthier who came from a family of violin makers and was then considered the most famous luthier in their clan.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Léon Bernardel (1853–1931) learned violin making under his father, Ernest Auguste Bernardel, and later worked with Derazey before joining the family’s shop, Gand et Bernardel Frères. In 1899, he established his firm, collaborating with his son, Léon (II). Bernardel’s violins are highly celebrated for their rich, warm tone and exceptional projection, a result of his innovative craftsmanship and attention to detail. His instruments remain sought after by musicians and collectors, and his work continues to inspire luthiers to this day.
This is the 7/8 French Violin c 1920 Strad Copy. We all know that Antonio Stradivari is a renowned Italian violin maker who was said to have brought the craft of violin-making into its highest pitch of perfection.