This violin was made by Jehanne H. Blaise in Mirecourt a violin-making town in France. Blaise's good choice of tonewoods can be seen beautifully under the intensively orange-red colored varnish. Blaise mostly uses regularly grained spruce on top and flamed maple from Vosges mountains on its two-piece back. As a result, his violins express a warm and dark voice, with clarity, maturity, and good resonance.
This is a Mirecourt Violin made around the 1930s with the label of a French luthier named L'Humbert. Emile L'Humbert is a French luthier who settled in rue de Passy in Paris in 1906 and began to make beautiful instruments until 1920 for Parisian luthiers.
This violin was made by Emile L'Humbert in Paris in 1926. Emile L'Humbert is a French luthier (1872-1933) who became a pupil of Derazey and Mougenot and was a worker of Blanchard in Lyon.
We have here a Collin - Mezin Violin made in Paris in 1911. Charles Jean Baptiste Collin-Mezin is a French violin maker who started at a young age under the tutelage of his father, Claud-Nicolas Collin. His own workshop started in 1867 at the 14 and 18 rue du Faubourg Poissonnièr in France.
This is a French Trade Violin Instrument made around 1925. The images show the details and features of various parts of the instrument.
This is the 7/8 French Violin c 1920 Strad Copy. We all know that Antonio Stradivari is a renowned Italian violin maker who was said to have brought the craft of violin-making into its highest pitch of perfection.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
This is a Henri Farny violin made around 1910 and imported from Mirecourt, France to the USA with a label. Henri Farni’s works were mostly imported by Rembert Wurlitzer from Mirecourt, France to Cincinnati and New York USA.
