Leonidas Nadegini Violin C. 1920
Check out this Leonidas Nadegini violin made about 1920. Jean-Baptiste Leonidas Nadegini was a Ukrainian luthier who was awarded as gold medalist for sonority in Saint Petersbourg competition in 1907.
This violin was made by Jehanne H. Blaise in Mirecourt a violin-making town in France. Blaise's good choice of tonewoods can be seen beautifully under the intensively orange-red colored varnish. Blaise mostly uses regularly grained spruce on top and flamed maple from Vosges mountains on its two-piece back. As a result, his violins express a warm and dark voice, with clarity, maturity, and good resonance.
Check out this Leonidas Nadegini violin made about 1920. Jean-Baptiste Leonidas Nadegini was a Ukrainian luthier who was awarded as gold medalist for sonority in Saint Petersbourg competition in 1907.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.
This is a French Trade Violin Instrument bearing the label of Andreas Borelli dated 1720. Andreas Borelli an Italian-born violin maker whose style developed the Borelli School of Violin Making which was later adopted by the workshops in Mirecourt France.
3/4 Violin made in Mirecourt, France around 1910 by French luthier Michel Couturieux.
• Very attractive appearance
• Magnificent sound
• Clear and yet sweet and bright tone
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
This 3/4 M. Couturieux Violin was made in Mirecourt, France around 1920. Couturieux is a French violin maker in Mirecourt in the mid – 19th century.
This violin was made in France around 1925. We have more details on the images where you can view various features of this particular instrument.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.