French Violin c. 1900 (F22)
French violin c. 1900 Features:
• Medium dark reddish brown varnish
• Yellow and black striped purfling both at the front and back
• A unique and remarkable drawing symbol at the upper center part of the back
This violin was made by Jehanne H. Blaise in Mirecourt a violin-making town in France. Blaise's good choice of tonewoods can be seen beautifully under the intensively orange-red colored varnish. Blaise mostly uses regularly grained spruce on top and flamed maple from Vosges mountains on its two-piece back. As a result, his violins express a warm and dark voice, with clarity, maturity, and good resonance.
French violin c. 1900 Features:
• Medium dark reddish brown varnish
• Yellow and black striped purfling both at the front and back
• A unique and remarkable drawing symbol at the upper center part of the back
This exceptional French violin is a masterpiece crafted by the renowned luthier Jean Baptiste Colin in Mirecourt, Paris, back in 1901. The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
This is a French Violin Copy of 1651 Nicolaus Amatus Cremone, Mirecourt. Nicola Amati came from a family of luthiers but was considered the most famous luthier in their clan.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.
This is a Charles Gaillard 1867 Violin. Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand.
Ref. F007
3/4 Violin made in Mirecourt, France around 1910 by French luthier Michel Couturieux.
• Very attractive appearance
• Magnificent sound
• Clear and yet sweet and bright tone
This is a Mirecourt Violin made around the 1930s with the label of a French luthier named L'Humbert. Emile L'Humbert is a French luthier who settled in rue de Passy in Paris in 1906 and began to make beautiful instruments until 1920 for Parisian luthiers.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.