This violin was made by Jehanne H. Blaise in Mirecourt a violin-making town in France. Blaise's good choice of tonewoods can be seen beautifully under the intensively orange-red colored varnish. Blaise mostly uses regularly grained spruce on top and flamed maple from Vosges mountains on its two-piece back. As a result, his violins express a warm and dark voice, with clarity, maturity, and good resonance.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
This is a French Violin Copy of 1651 Nicolaus Amatus Cremone, Mirecourt. Nicola Amati came from a family of luthiers but was considered the most famous luthier in their clan.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
This violin was made by Emile L'Humbert in Paris in 1926. Emile L'Humbert is a French luthier (1872-1933) who became a pupil of Derazey and Mougenot and was a worker of Blanchard in Lyon.