"A Little Summer Suite for String Orchestra" by Keith Sharp features three unique parts. "Sun Bleached" is bright and cheerful, "Rain Come Down: A Prayer" is peaceful, and "Downpour!" is fast-paced and exciting. Perfect for grade 1 level musicians.

Keith Sharp is a string educator who earned his Bachelor of Music degree in 1984. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Keith's works are famous in Australia and have been discovered by teachers in the United States, Great Britain, and Germany. He is also active in conducting workshops, guest conducting, and delivering lectures.

This 8.5-minute musical piece for an advanced high school string ensemble explores different tempos, textures, and styles based on the Celtic theme 'Flower of County Down'. The composition features a fugato, river dance, sentimental waltz, and grand finale, with the piano and percussion adding to the sound.

Keith Sharp is a successful string educator from Brisbane's Gap region. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is renowned for his award-winning string programs and creative compositions that are popular in Australia and internationally. He remains active as a clinician, guest conductor, and guest lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

This fiddle tune has separated cello and double bass parts for melody and harmony, allowing directors to challenge advanced students while keeping others engaged. It's perfect for real-world scenarios, with fun elements such as a slide from D# to E and a countermelody for balance.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This lively fiddle-style tune with a fun melody and bright harmonies will surely please any crowd. Advanced violin players can try the optional octave extension included in the piece. As the toe-tapping tune develops, the melody is traded around the ensemble, making it memorable and fun!

Keith Sharp is a renowned string educator who completed his Bachelor of Music degree in 1984. He has been teaching in Brisbane since then and holds a postgraduate diploma in education. Keith is also a composer and produces award-winning string programs and ensembles. Additionally, he serves as a clinician, guest conductor, and lecturer.

Keith Sharp's contemporary piece in D major is enjoyable to play and suitable for beginners. It features echo effects and melodious accompanying lines and is graded as a B for primary school and a C for high school.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

Click Go the Shears is a delightful adaptation of a traditional Australian folk song for beginner players. It features an optional and exquisitely crafted piano accompaniment. Simple violin lines can be played singly with the piano.

Keith Sharp is a string educator in Brisbane, Australia. He received his degree in 1984 and a post-graduate diploma in 1995. Keith produces award-winning string programs and compositions popular in Australia and internationally. He is also active as a guest conductor, clinician, and lecturer.

This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.