Keith Sharp’s musical masterpiece, Restless, is now available for Grade 4 String Orchestra. The arrangement includes a conductor’s score and multiple string parts, making it easy to perform. Published by Music House String Publications, it offers an unparalleled musical experience. Keith has been a renowned string educator in Brisbane since 1985, and his educational ensemble pieces are recognised globally. He is a past president of AUSTA Queensland and co-author of Encore on Strings.

Fiddle Fever by Keith Sharp is a lively country-style music piece for string orchestra. It has memorable intertwining lines passed among the sections, supported by a bass line and an optional piano accompaniment. Perfect for all ages, this piece will make you tap your toes and enjoy some real toe-tappin' fiddlin' with your partner!

Keith Sharp is a celebrated music teacher in Brisbane, Australia. He has a Bachelor of Music degree and a postgraduate diploma in education. Keith is known for his exceptional string programs, ensembles and compositions. His music is popular in Australia and internationally. Keith is often invited to work as a clinician, guest conductor, and lecturer.

“La Llorona” is a 6-minute programmatic piece for a high school string orchestra with optional percussion. It tells a story based on a Spanish/Mexican legend of La Malinche, a noble Aztec girl sold into slavery to Mayan merchants. The music starts with an Entrada, signalling the arrival of the Spanish fleet led by Cortés, who colonized Mexico.

La Malinche was a translator and mistress to the conqueror Cortés. She had twin boys with him, but when he was convinced to return to Spain with a Spanish aristocrat, La Malinche realized the hopelessness of her situation and drowned herself and her children in a nearby river.

This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

Polly, a sick cockatoo, feels lonely as her friends avoid her. This Eastern European-inspired composition is ideal for Grade 1.5 students and has a melancholic melody with a haunting piano accompaniment that lasts 2 minutes and 6 seconds.

Keith Sharp is a renowned music teacher and co-author of the beginner series Encore On Strings - Music Maestros. He has over 35 years of experience teaching string music, a Bachelor of Music Degree, and a Graduate Diploma in Further Education. Keith has received several awards for his contributions to music education and regularly appears at schools, music camps, and workshops.

Fun and original music for primary and junior high students. East meets West in a sing-along style. All parts are in the first position, except bass. It's a blast to play!

Keith Sharp is a renowned string educator from Brisbane, Australia. He has won numerous awards for his exceptional string programs, compositions, and imaginative works. In addition to teaching, Keith is also an active clinician, guest conductor, and lecturer.

"Til the Work is Done," published in 2000, is a favorite from Music House String Publications that encourages students to express themselves through their instruments, much like a choir. This flexible string ensemble piece can be performed as a full unison melody with piano and double bass harmony, followed by a part setting featuring Violin 2 and optional parts for Viola 2 and Violoncello 2, making it suitable for younger players. The Violin 1 obligato line complements the melody, supported by the double bass, resulting in a satisfying tonal score.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"