Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Victor Audinot (1870-1943), also known as Audinot-Mourot, hailed from a family deeply connected to the art of instrument making. He was the son of Mirecourt luthier Charles Audinot and was mentored by Francois Chardin (1827-1907) and Telesphore Barbé (1822-1892). Of these mentors, Telesphore Barbé, renowned for his craftsmanship, profoundly impacted Victor’s development as a luthier. Barbé’s expertise was honed during his tenure with the esteemed Jean Baptiste Vuillaume in Paris, where he produced a remarkable three violins per week. Victor Audinot’s legacy in the world of Lutherie is a testament to the rich tradition and influence passed down through generations.
Victor briefly worked in Mirecourt, a town known for its luthier tradition, before moving to Paris and setting up his workshop on the historic Rue Truffaut in 1913. He dedicated himself to his craft until his retirement in 1936. Victor’s expertise was passed on to five of his six sons and many other aspiring luthiers who sought to learn from him.
During his career, Victor gained renown for creating exact replicas of classical instruments, paying meticulous attention to every detail. Notably, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his skill and artistry in replicating the masterpieces of renowned luthiers. Signed internally: ‘Vor Audinot-Mourot et fils / Luthier à Paris / année 19...’ V. Audinot-Mourot & Fils / Luthiers / 30 Rue Truffaut Paris.
Check out this Ryszard Osowski Violin Bronze Plus. Ryszard Osowski is a Polish luthier who gradually perfected the sound and quality of his instruments. As a result, he concentrated more on building his own stringed instrument, passionately pursuing crafting highly advanced violins.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
The 1927 Collin-Mezin violin is a masterpiece crafted in the renowned Collin-Mezin Workshop, established in the 19th century by Charles Jean Baptiste Collin-Mezin in Paris. After passing in 1923, his son, Charles Collin-Mezin Jr., took over the workshop. In 1925, the workshop moved to Mirecourt, France. Known for producing vibrant instruments with outstanding sound flexibility, the workshop's tradition continues with the 1927 Collin-Mezin violin.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
This is the Stainer 4/4 Violin Made in Germany. Jacob Stainer was an Austrian luthier whose violins are being sought after by famous composers and musicians like Wolfgang Amadeus Mozart, Johann Sebastian Bach, and George Somon-Lohein. He was the only non-Italian violin maker to rank as the top luthier in his time before Stradivari.
This is a Charles Claudot Violin. The name Claudot was a popular clan of luthiers in France who have been making violins from the 16th up to the 20th century.
Amati Mangenot made this violin, but he "Italianised" his name and city, resulting in Mageno and Bordo.
Amati Mangenot (1901 – 1966), a French luthier, crafted this violin. He collaborated with the Laurent brothers and later took over Emile Laurent's workshop in Bordeaux.
