Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Victor Audinot (1870-1943), also known as Audinot-Mourot, hailed from a family deeply connected to the art of instrument making. He was the son of Mirecourt luthier Charles Audinot and was mentored by Francois Chardin (1827-1907) and Telesphore Barbé (1822-1892). Of these mentors, Telesphore Barbé, renowned for his craftsmanship, profoundly impacted Victor’s development as a luthier. Barbé’s expertise was honed during his tenure with the esteemed Jean Baptiste Vuillaume in Paris, where he produced a remarkable three violins per week. Victor Audinot’s legacy in the world of Lutherie is a testament to the rich tradition and influence passed down through generations.
Victor briefly worked in Mirecourt, a town known for its luthier tradition, before moving to Paris and setting up his workshop on the historic Rue Truffaut in 1913. He dedicated himself to his craft until his retirement in 1936. Victor’s expertise was passed on to five of his six sons and many other aspiring luthiers who sought to learn from him.
During his career, Victor gained renown for creating exact replicas of classical instruments, paying meticulous attention to every detail. Notably, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his skill and artistry in replicating the masterpieces of renowned luthiers. Signed internally: ‘Vor Audinot-Mourot et fils / Luthier à Paris / année 19...’ V. Audinot-Mourot & Fils / Luthiers / 30 Rue Truffaut Paris.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.
Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.
This is a Paul Jean- Baptiste Chipot Violin made in Paris in about 1942. Paul Jean Baptiste Chipot is a French luthier the son of Chipot-Vuillaume. He worked in many workshops in Mirecourt then moved to Vendome to start his own workshop.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
This is the Barbet & Granier dated 1879 Violin from Marseille France. Charles Barbet and Edmund Granier of Marseille were at the forefront of outstanding makers at the turn of the 19th century.
Check out this Violin Made in Germany Mittenwald dated around 1920. This is one of Animato Strings' largest selections of new and old instruments in Australia including Asian-handcrafted instruments, new European instruments, and a wide range of antique stringed instruments.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
