Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Victor Audinot (1870-1943), also known as Audinot-Mourot, hailed from a family deeply connected to the art of instrument making. He was the son of Mirecourt luthier Charles Audinot and was mentored by Francois Chardin (1827-1907) and Telesphore Barbé (1822-1892). Of these mentors, Telesphore Barbé, renowned for his craftsmanship, profoundly impacted Victor’s development as a luthier. Barbé’s expertise was honed during his tenure with the esteemed Jean Baptiste Vuillaume in Paris, where he produced a remarkable three violins per week. Victor Audinot’s legacy in the world of Lutherie is a testament to the rich tradition and influence passed down through generations.
Victor briefly worked in Mirecourt, a town known for its luthier tradition, before moving to Paris and setting up his workshop on the historic Rue Truffaut in 1913. He dedicated himself to his craft until his retirement in 1936. Victor’s expertise was passed on to five of his six sons and many other aspiring luthiers who sought to learn from him.
During his career, Victor gained renown for creating exact replicas of classical instruments, paying meticulous attention to every detail. Notably, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his skill and artistry in replicating the masterpieces of renowned luthiers. Signed internally: ‘Vor Audinot-Mourot et fils / Luthier à Paris / année 19...’ V. Audinot-Mourot & Fils / Luthiers / 30 Rue Truffaut Paris.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
This German-Made Helmut Illner A-Level Violin Carved and varnished in Germany according to the specifications of German luthier Helmut Illner.
Check out this Modern Mittenwald Violin made after Hornsteiner. Hornsteiner was one of the famous luthiers from the late 18th century up to the early 19th century.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.
Check out this Leonidas Nadegini violin made about 1920. Jean-Baptiste Leonidas Nadegini was a Ukrainian luthier who was awarded as gold medalist for sonority in Saint Petersbourg competition in 1907.
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