Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Victor Audinot (1870-1943), also known as Audinot-Mourot, hailed from a family deeply connected to the art of instrument making. He was the son of Mirecourt luthier Charles Audinot and was mentored by Francois Chardin (1827-1907) and Telesphore Barbé (1822-1892). Of these mentors, Telesphore Barbé, renowned for his craftsmanship, profoundly impacted Victor’s development as a luthier. Barbé’s expertise was honed during his tenure with the esteemed Jean Baptiste Vuillaume in Paris, where he produced a remarkable three violins per week. Victor Audinot’s legacy in the world of Lutherie is a testament to the rich tradition and influence passed down through generations.
Victor briefly worked in Mirecourt, a town known for its luthier tradition, before moving to Paris and setting up his workshop on the historic Rue Truffaut in 1913. He dedicated himself to his craft until his retirement in 1936. Victor’s expertise was passed on to five of his six sons and many other aspiring luthiers who sought to learn from him.
During his career, Victor gained renown for creating exact replicas of classical instruments, paying meticulous attention to every detail. Notably, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his skill and artistry in replicating the masterpieces of renowned luthiers. Signed internally: ‘Vor Audinot-Mourot et fils / Luthier à Paris / année 19...’ V. Audinot-Mourot & Fils / Luthiers / 30 Rue Truffaut Paris.
Handcrafted in Romanian workshops featuring highly flamed maple back, sides and neck and close-grained Carpathian resonance spruce top.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
This exceptional French violin is a masterpiece crafted by the renowned luthier Jean Baptiste Colin in Mirecourt, Paris, back in 1901. The violin's exceptional characteristics contribute to the continued popularity of his violins in modern times.
This is a French violin by Paul J. B. Chipot, made in 1926. Paul John Baptiste Chipot, the son of Chipot-Vuillaume, was a French luthier who established his own workshop in Vendome in 1923.
Manighetti Violin made in 1938 in Turin, Italy
Manighetti is a Corsican word that means "sleeves." Corsica is the smallest region of metropolitan France by population.
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