Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
Victor Audinot (1870-1943), also known as Audinot-Mourot, hailed from a family deeply connected to the art of instrument making. He was the son of Mirecourt luthier Charles Audinot and was mentored by Francois Chardin (1827-1907) and Telesphore Barbé (1822-1892). Of these mentors, Telesphore Barbé, renowned for his craftsmanship, profoundly impacted Victor’s development as a luthier. Barbé’s expertise was honed during his tenure with the esteemed Jean Baptiste Vuillaume in Paris, where he produced a remarkable three violins per week. Victor Audinot’s legacy in the world of Lutherie is a testament to the rich tradition and influence passed down through generations.
Victor briefly worked in Mirecourt, a town known for its luthier tradition, before moving to Paris and setting up his workshop on the historic Rue Truffaut in 1913. He dedicated himself to his craft until his retirement in 1936. Victor’s expertise was passed on to five of his six sons and many other aspiring luthiers who sought to learn from him.
During his career, Victor gained renown for creating exact replicas of classical instruments, paying meticulous attention to every detail. Notably, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his skill and artistry in replicating the masterpieces of renowned luthiers. Signed internally: ‘Vor Audinot-Mourot et fils / Luthier à Paris / année 19...’ V. Audinot-Mourot & Fils / Luthiers / 30 Rue Truffaut Paris.
Handcrafted in Romanian workshops featuring highly flamed maple back, sides and neck and close-grained Carpathian resonance spruce top.
Check out this Modern Mittenwald Violin made after Hornsteiner. Hornsteiner was one of the famous luthiers from the late 18th century up to the early 19th century.
Price: POA. Gaetano Pareschi Violin made in 1948. This violin is one of the prolific output of award-winning Italian luthier Gaetano Pareschi that spanned 50 years, from 1924-1974.
Collin-Mezin Violin dated 1887. This as an unusual model for a Collin-Mezin violin, but the workmanship, the original label, and Collin-Mezin's authentic signature verify the maker.
This Ryszard Osowski Gold model violin was built in the finest craftsmanship by Ryzard Osowski in Forchheim, Germany, dated 2024.
Ryszard Osowski, born in 1966, is a Polish luthier who moved to Muggendorf, Germany in 1993. Living with his uncle, he learned the local tradition of building stringed instruments and eventually perfected the sound and quality of his instruments after 25 years of experimentation. He now focuses on crafting advanced violins while occasionally creating cellos and violas.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
This remarkable 7/8 size 1933 violin exhibits a timeless beauty that reflects Giacchetti's artistic skills.
Giuseppe Giacchetti (1890-1980) studied music and the violin in Rome under Rodolfo Fredi. He later established a workshop in Paris and used a “Roma” label throughout his career. This violin has a “fait a Paris” inscription, indicating it was made in Paris.
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