Charles Gaillard was an apprentice of the prominent French violinmaker and restorer, Charles Adolphe Gand. His tutelage allowed Gaillard to develop a keen eye for fine craftsmanship and indeed, his violins are often noted for their beautiful designs and superior finishes. He favored a natural approach to varnishing, his instruments typically free of shading and artificial ageing. This violin shows his characteristic orange-brown finish, with a reddish tinge here and there.
The violin dates from his residency at 20 rue Notre-Dame de Rouvrance in Paris, where he established independently.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
This violin (copy) bears the label 'Andrea Postacchini,' a skilled Italian luthier renowned for crafting high-quality instruments with exceptional tonal quality.
This is an Old German Violin made probably in Germany in the mid 19th century. Repaired professionally by Animato Strings and is now in very good playing condition.
This French violin was made in 1922 by Amédée Dominique Dieudonné, who specialized in copying Cremona Masters and achieved a superior varnishing technique. He started his own workshop in Mirecourt after the First World War in the 1920s.
Over 25 years, Ryszard conducted numerous experiments, conducted intensive studies, gained valuable experiences, and was influenced by his colleagues, all of which contributed to his gradual perfection of the sound and quality of his instruments.
This is a Collin - Mezin violin made in Paris in 1902. Charles Jean Baptiste Collin-Mezin (1841–1923) was a Parisian luthier an Officier de l'Académie des Beaux-Arts and won gold and silver medals in 1878, 1889, and 1900 at the Paris Exhibitions.
We have here the Orfeo Carletti Violin made in 1932. Orfeo Carletti is an Italian violin maker who opened a workshop together with his father and brother in Bologna.