Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels.
This Mirecourt firm was established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte. Initially, it manufactured only factory instruments, some of which had fictitious labels like 'J. Didelot'.
In the early 20th century, Marc Laberte expanded the selection of high-quality instruments by including those from Joseph Aubry, Charles Brugere, Camille Poirson, and Georges Apparut, all of whom were reputable makers.
In 1902, Apparut joined Laberte firm as the leader of “artistic” production and remained until 1923. By 1919, Laberte had around 400 workers and was renamed “Laberte et Magnié” or “L.F.M.” after violin maker Fourier Magnié joined. The company acquired the acclaimed brand “A La Ville de Cremone” from Paul Mangenot in 1927.
The Mirecourt instrument-making industry declined in the mid-20th century, causing all three major firms to stop production in the 1960s. Laberte closed in 1969 after Philippe Laberte's death.
Lambert-Humbert Frères was a well-known violin manufacturer in Mirecourt from 1876 to 1969. They produced various instruments from reputable makers like Joseph Aubry and Georges Apparut. The company changed to L.F.M. in 1919 and obtained the prestigious brand “A La Ville de Cremone” in 1927. Unfortunately, the industry declined in the mid-20th century, leading to the closure of all major firms by the 1960s, including Laberte.
The colour of the violin is not as red as in the video. The colour of the images is more accurate.
This is the Paul Kaul violin made in France dated 1918. Paul Kaul is a French violin maker who joined several workshops such as Thibouville Lamy, Silvestre and Maucotel, Vuillemin-Didion. He started several workshops on rue Racine, Nantes in 1907, rue du Pont Communeau in 1908, and at 130 Boulevard Brune in 1926.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
POA This violin, attributed to Anselmo Bellosio (1743-1793) in Venice, was acquired by Animato Strings and features previous repairs, including a new bass bar installed by A. Eisenstein in New York, as noted in a 1944 magazine clip. After cleaning and minor seam repairs, it produces a rich, full sound and is available for sale. Born into a family of organ makers, Bellosio began crafting violins around 1770 and took over Giorgio Serafin’s workshop in 1777. This particular instrument, dated 1768, reflects his early craftsmanship and notable deep tone, marking him as a significant figure in the 18th-century Venetian violin-making tradition before his passing at 50.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
This 7/8 size violin is labelled Thomas Challoner who worked in Chester, England around 1790. Thomas Challoner was one of the known violin makers in the 18th century.
