Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels.
This Mirecourt firm was established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte. Initially, it manufactured only factory instruments, some of which had fictitious labels like 'J. Didelot'.
In the early 20th century, Marc Laberte expanded the selection of high-quality instruments by including those from Joseph Aubry, Charles Brugere, Camille Poirson, and Georges Apparut, all of whom were reputable makers.
In 1902, Apparut joined Laberte firm as the leader of “artistic” production and remained until 1923. By 1919, Laberte had around 400 workers and was renamed “Laberte et Magnié” or “L.F.M.” after violin maker Fourier Magnié joined. The company acquired the acclaimed brand “A La Ville de Cremone” from Paul Mangenot in 1927.
The Mirecourt instrument-making industry declined in the mid-20th century, causing all three major firms to stop production in the 1960s. Laberte closed in 1969 after Philippe Laberte's death.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
Check out this Violin Made in Germany Mittenwald dated around 1920. This is one of Animato Strings' largest selections of new and old instruments in Australia including Asian-handcrafted instruments, new European instruments, and a wide range of antique stringed instruments.
A violin made and labelled in 1917 by Leandro Bisiach (1864 – 1945) of Milan, an Italian violin maker born in Casale Monferratos, known as the father of violin makers in the Bisiach family.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
This violin (copy) bears the label 'Andrea Postacchini,' a skilled Italian luthier renowned for crafting high-quality instruments with exceptional tonal quality.
This is an A. Dieudonne Violin made in Mirecourt in about 1933. Amédée Dominique Dieudonné is a French luthier who specializes in copying the works of Cremona masters.
This is an Old German Violin made probably in Germany in the mid 19th century. Repaired professionally by Animato Strings and is now in very good playing condition.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
