This French violin has a powerful sound and was made by Roger & Max Millant in Paris. It has a subtle and radiant voice, showcasing its esteemed origins. This rare violin is in excellent condition, perfect for professional musicians and soloists. Its unique character is sure to impress.
This French violin has a powerful sound and was made by Roger & Max Millant in Paris. It has a subtle and radiant voice, showcasing its esteemed origins.
The Millant brothers, Roger and Max Millant, managed a renowned studio for crafting French string instruments from 1923 to 1969. After World War II, they achieved numerous gold medals in international competitions, including Cremona. The Millant family’s legacy stretches back to 18th century Mirecourt, and today, their influence remains present in Bernard Millant’s former workshop, now led by Loic Le Canu, and in the work of J.F. Raffin, who was a student of the Millants.
This violin has exceptional quality, with premium maple and a sophisticated appearance. The orange-brown oil varnish is in excellent condition.
This rare violin is in excellent condition, perfect for professional musicians and soloists. Its unique character is sure to impress.
Have a look at this Gliga Vasile 4/4 Violin with Lady's Head Scroll (Instrument Only). Gliga Vasile Special Series: Lady's head in scroll.
This violin is labelled "Antonius Vinaccia, Napoli in Via Constantinii, a. 1792" and shows evidence of being repaired in 1902. Antonio Vinaccia was a renowned instrument maker in Naples during the mid-18th to late 19th centuries. He was known for making violins in the style of Gagliano and exceptional mandolins. His craftsmanship is preserved in Naples's Museo Spagnuolo (Palazzo degli Studi). Antonio's sons, Gennaro and Gaetano, also became instrument makers.
William Henry Dow was born in Scotland in 1834 and moved to Australia in 1855 to work as a pattern maker at Langlands Port Phillip Foundry in Melbourne. Initially a hobby, he began making violins in his workshop in South Melbourne and received medals for his work at national exhibitions. After retiring from patternmaking, he devoted himself to creating instruments and made over 200 violins by his death in 1928. It is still being determined how many instruments Dow made, as he only started numbering them when he was satisfied with their quality. One of his violins is on display at the Powerhouse Museum in Sydney.
Please get in touch with Animato Strings on 07 3876 3877 if you want this violin.
Marc Laberte (1880–1963) was trained as a violin maker and joined the family company in 1911. By 1919, the Laberte firm had around 400 craftsmen and was successful. However, the war in 1942 devastated the business, leading to its closure. Despite this, Laberte was known for his exceptional instruments and bows, earning several honours and medals.
This violin has the original Marc Laberte label and bears the number #3010. A second label states Grand Prix Paris 1931, Exposition Internationale Bruxelles 1935 Membre Du Jury, and Exposition Internationale New York 1939. The prices they won before and during the start of the world war 2.
Moretti Egidio transitioned from cabinetmaking to violin making in 1924-1928. During 1945-1955 in Lavagna, Genoa, his instruments were known for their accuracy and good varnish, with two different labels used - handwritten and printed.
Check out this Didier Nicolas Violin made around 1780 in Mirecourt, France. Didier Nicolas is a French luthier who owns the workshop D. Nicolas Aine, one of the most successful violin companies in Mirecourt during the late 1700s and 1800s.
We have here the Domenico Fantin Violin made in Varese, Italy 1971. Domenico Fantin’s instruments are played in major European and American orchestras. Great soloists like Yehudi Menuhin purchased one of his violins in 1969, and Uto Ughi, who owns two of his instruments.
This is a French violin by Paul J. B. Chipot, made in 1926. Paul John Baptiste Chipot, the son of Chipot-Vuillaume, was a French luthier who established his own workshop in Vendome in 1923.
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