Labelled Carlo Steffani Violin Mantova, Italy 1711
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
This French violin (copy) has a powerful sound and was made after Roger & Max Millant in Paris. It has a subtle and radiant voice. This violin is in excellent condition, making it suitable for professional musicians.
This French violin has a powerful sound and was copied after Roger & Max Millant in Paris. It has a subtle and radiant voice, showcasing its esteemed origins.
The Millant brothers, Roger and Max Millant, managed a renowned studio for crafting French string instruments from 1923 to 1969. After World War II, they achieved numerous gold medals in international competitions, including the Cremona competition. The Millant family’s legacy dates back to 18th-century Mirecourt, and their influence remains present today in Bernard Millant’s former workshop, now led by Loïc Le Canu, and in the work of J.F. Raffin, a student of the Millants.
This violin is of good quality.
This is a violin labelled Carlo Steffani. The timber for this violin was cut around 1800 in the Southern Alps.
Introducing the Roberto Cavagnoli Violin 2017. Roberto Cavagnoli received many awards including the Silver Medal for tone quality from the Violin Society of America in 2004 and the third prize at the 11th International Competition ‘Triennale’ in Cremona for sound quality.
Lambert-Humbert Frères firm (fl. 1876 – 1969) was a major violin manufacturer in Mirecourt, offering a wide range of models and quality levels, established in 1876 by violin-making brothers Maurice-Emile and Pierre Alexis Auguste Laberte.
Paul Lorange, a renowned French luthier from Lyon, worked in Marseille during the early to mid-20th century. He established his independent workshop in the city in the early 1930s and was known for his fine workmanship on classical models and his use of various shades of red varnish. The violin in question was made in 1932, and it's noted that the handwriting on the violin and his original label may differ.
We have here a Labelled Amedee Dieudonne violin made around 1946 in Mirecourt, France. Amedee Dieudonne is a French luthier who specialized in copying Cremona Masters and was able to achieve a superior varnishing technique.
Victor Audinot (1870-1943), also known as Audinot-Mourot, came from a family of luthiers in Mirecourt. Mentored by Francois Chardin and Telesphore Barbé, Audinot was mainly influenced by Barbé, who had honed his skills working for Jean Baptiste Vuillaume in Paris. This experience helped shape Audinot’s successful career in instrument making.
Victor worked in Mirecourt, known for luthier tradition, before moving to Paris to set up his workshop on Rue Truffaut in 1913. He dedicated himself to his craft until retiring in 1936. He passed his expertise to five of his six sons and aspiring luthiers. Renowned for creating exact replicas of classical instruments, he crafted an exceptional copy of the ornately decorated Stradivari violin known as the ‘Sunrise’, showcasing his artistry.
In the 1910s, Arthur Edward Smith (1880-1978) established a store in Sydney upon his return to Australia. Smith's workshop on Hunter Street quickly gained a reputation for repairing and selling high-quality stringed instruments. This violin was sold (not made by) AE Smith, Australia's most famous violin maker.
Check out this Mast Fils Violin Dated 1827. Joseph Laurent Mast a French violin maker who branded his violins with the inscription inside that says “Mast Fils Toulouse."